“Whenever I tell people I was the
 
  architect for this house, the first thing
 
  people say to me is; ‘That house is
 
  gorgeous, but it took forever to get it
 
  approved - you must not be very
 
  good with processing permits!’  My
 
  response is always the same - I was
 
  Architect #4 on the project!”
 
  Initially, Steve Yett was brought on
 
  board in the capacity of advisory
 
  consultant to help Architect #2
 
  combat neighborhood opposition to
 
  the project. It wasn’t initially
 
  approved as a two story house, and
 
  would need to be re-designed as a
 
  one story house with a basement in
 
  order to be approved by the Planning 
  Commission.
 
  “Architect #2 was arrogant and
 
  refused to redesign the house,
 
  saying something to the effect that
 
  the design was perfect the way it
 
  was and that the Planning
 
  Commissioners were idiots - which
 
  might be true - but regardless, you
 
  don’t abandon the client and the
 
  project because of this...  Actually,
 
  that was a pretty funky design now
 
  that I think back on it....  There was a
 
  lot of weird wasted space that was
 
  required to make the design work as
 
  a scultural element.
  The client then hired a famous
 
  ‘Starchitect’ who came up with a very
 
  radical über-modern house design
 
  that kissed the allowable building
 
  envelope from top to bottom.”
 
  
 
  “The client showed me the plans that Architect
 
  #3 came up with - I loved the design; I told her
 
  that she should build it and get it published in
 
  Architectural Digest. I figured my involvement
 
  was over that point.”  
  “I got a phone call a few months later, and the
 
  client told me that she wanted the house re-
 
  designed in the Xin Tian Di style from Shanghai; 
  but keeping the Planning Department approvals
 
  in place.  I was insistent that she should build
 
  the house as approved.  She told me that she
 
  didn’t like the boxiness of the modern design,
 
  and wanted to live in something traditional,
 
  reminiscent of her childhood.  And if I wouldn’t
 
  design it, she would find someone else.  I gave
 
  her the names and phone numbers of a few
 
  other architects that I thought she should
 
  consider hiring.  She called me back a few
 
  weeks later and said that she liked my
 
  straightforward approach better than any of the
 
  other architects she had interviewed and
 
  somehow convinced me to take on the
 
  commission.”
  Steve Yett redesigned the project in the Xin Tian 
  Di style and got it re-approved with relative
 
  ease.  The contractor was in the middle of
 
  pouring the foundation when the client spoke
 
  with a prominent local realtor who suggested
 
  that building a house in such a distinctly Asian
 
  style would limit her buying audience should she 
  ever choose to sell her dream house.
  “So there we were, redesigning while the
 
  contractor was building.  I am amazed that the
 
  design turned out so cohesive given all of the
 
  changes and adversity that this project
 
  perservered!”
 
  “Carrying on the soap opera tradition of this
 
  project; the project landscape architect quit
 
  when he figured out that it was the client’s
 
  teenage stepson who had a car accident with
 
  his lover resulting in a horrible verbal altercation
 
  between the two.”
 
  “Once we got past all of the drama, the client
 
  made good decisions in a timely fashion.  For
 
  instance; it was her idea to install a Christopher
 
  Peacock Kitchen.”
  This five bedroom 7,000 S.F. residence has a
 
  timeless elegance that is reminiscent of several
 
  architectural styles all at once.  “In the end, the
 
  client and I agreed to call it a ‘California
 
  Cottage.’”